Huevos de oro (1993) Filme Online

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Movie Detail :
Title : Huevos de oro (Golden Balls) (1993)
Released on : 1993-09-24
MPAA Rating is : Unrated
Runtime : 88 minutes.
Movie casts:Javier Bardem as Benito Gonzalez, Maribel Verdu as Claudia, Alessandro Gassman as Melilla's Friend


Huevos de oro (Golden Balls) (1993) Trailer



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Huevos de oro (1993) Filme Online
Run time: 95 min
Rating: 6.0
Genres: Comedy | Drama
Director: Bigas Luna
Writers: Cuca Canals, Bigas Luna
Stars: Javier Bardem, Maria de Medeiros, Maribel Verdú
Trivia: Benito González works construction in Melilla and dreams big – of building the tallest building in Benidorm, a great phallic symbol of power, González Towers. Over several years, we see … See full summary »
Storyline
Benito González works construction in Melilla and dreams big – of building the tallest building in Benidorm, a great phallic symbol of power, González Towers. Over several years, we see Benito’s rise and fall, much like the construction of his tower. Through force of personality, he puts the financing together, taking advantage of women who love him – Claudia, a model who wants to be a star, and Marta, the US educated daughter of a banker whose loan Benito needs. Can his force of personality – his huevos de oro – compensate for shoddy building materials, no permits, and undercapitalization? Nature may have her own power and surprises in store for Benito. Written by <jhailey@hotmail.com>
Plot Keywords: construction, phallic symbol, love, female pubic hair, man crying
Details:
Country: Spain, Italy, France
Release Date: 18 February 1994 (Italy)
Box Office
Budget: ESP 420,000,000 (estimated)

4 comments

  1. admin says:

    Either you like Bigas Luna, or you don’t. Huevos de Oro is the middle picture in his trilogy of weird romance films, the other two being the more noted Jamon Jamon and the truly bizarre La Teta y La Luna. All films have breast-obsessed Spanish macho men, sexy young women, love starved 40-ish women, love triangles wrapped around the oddest plots, and the most eyebrow raising sex conversations. All of these films seem to parody the Javier Bardem Spanish macho man character and how he is ultimately ruled by his libido. (The same can be said for most males).

    Luna as a director introduced to me to three spectacular, stunning actresses in his films, namely Maria de Mederios, the now famous Penelope Cruz and Mathilda May. He also uses recent Oscar nominee Javier Bardem with great frequency.

    In this film, there is a loose plot of a man (Bardem) who wishes to obtain financing for his construction business, and marries a woman he does not love (the wide-eyed Maria de Medieros) in the process. He maintains his passionate relationship with his first and true love, and ultimately gets entangled in his own romantic web. He never gives up his juggling act, until the three main characters come face to face.

    What Luna does as a director is take these simple plots and wrap wonderfully strange characters with bizarre obsessions and mannerisms.

    This movie has lots of passion, sex, conversation, and twisted romance, all bundled into an enjoyable and unique film. Many will be offended by Luna’s unabashed approach to film-making, but this is still a fresh and unique picture. I recommend the three in this series highly. I can not guarantee you will like them, but I can guarantee that you will remember them. ***1/2

    out of ****.

  2. admin says:

    This film is Spanish. This statement is not as obvious as you might think. Bigas Luna makes films so rich in Spanish cultural references that it is true that without previous knowledge, or better yet experience, of Spain then much of the film’s charm will be lost. He parodies the stereotypes of spanish culture- the macho male most obviously, but there are numerous others- in such a way that anyone who accuses the characters of being over the top and unbelievable would very nearly be fully justified, if it wasn’t that they are so instantly recognizable. Javier Bardem’s character has wonderfully kitsch taste, most notably his attire and the obsession he has with Salvador Dali (to the point of outlining the famous ‘drawers’ across the bodies of all the women in his life). This goes a long way to creating the visual style which is somehow spot on for the mediterranean coast. The story itself is quite touching in the end, as a man of great passion and ambition rises from having nothing to having all he desires before the inexorable decent commences. There is much symbolism in this film for those who enjoy it. For example Bardem aims to erect the tallest building in town, yet as it fails and crumbles, so does his sexual potency. This film is admittedly an aquired taste, not for people who thrive on the tried and tested Hollywood formulae, unless they are willing to explore into the exotic and foreign world of Bigas Luna.

  3. admin says:

    Benito is an ambitious man. We meet him as he is doing his military service in Melilla, a Spanish possession in Northern Africa. His dream is to erect the biggest skyscraper in Benidorm, where high rises are everywhere. Benito has deeply set obsessions, and a deep sense of smell. Rita, who is his local girlfriend, has a peculiar odor he loves. Benito's other obsession has to do with the weight of his women. Rita, who only weighs 47 kilos is an ideal sexual partner.

    After the army, Benito lands in Benidorm, where he wants to build his dream high rise. He is just full of air since he doesn't have money to back up his ambition. When he meets the lovely Claudia, who is a bit heavy, at 52 kilos, his luck begins to change. When he asks a bank to finance his construction, he meets resistance. After all, the wise banker sees right through the young man.

    The banker's daughter, Marta, who is a slender woman weighing 45 kilos, takes an interest in Benito. They eventually marry. Benito, who also convinces a money man to invest in his building, starts building his dream. Marta, who suspects Benito is having affairs behind her back, gets proof of her suspicions when she finds intimate apparel that Claudia, in a fit of anger puts in Benito's jacket. Benito, who denies his escapades, finally admits to them and brings Claudia to his bed and Marta accepts the situation and the three begin to have an open relationship.

    Unfortunately, Benito's luck begins to unravel. After a tragic accident where Claudia dies, his construction is paralyzed after the big investor pulls out. Benito also has a long convalescence to mend his broken body. At this time Marta, who is fed up with the way things have turned out, gets angry at Benito when he brings a prostitute, Ana, who never reveals her actual weight, as a substitute for Claudia. Benito, ends up losing it all as he and Ana settle in Miami.

    Bigas Luna, the director of this film is a man who is not afraid to show raw sex in his movies, as it's the case here. He is making a statement about how Benito misuses his macho magnetism in the way he treats Rita, Claudia and Marta. These women are avenged by Ana, who constantly cheats on him with the hunky gardener. So actually, Benito is reduced to a pathetic figure who doesn't have a penny and sees his world and his ambitions turn against him.

    Javier Bardem makes a great impression as Benito. He had already collaborated with Bigas Luna; both actor and director understand one another well, therefore the good results. Maria de Medeiros has a small part, but she makes the best out of her Marta. The gorgeous Maribel Verdu is perhaps the woman who really loved Benito. Elisa Tovati is seen as Rita; Raquel Bianca plays Ana and Benicio del Toro appears briefly as the gardener who is serving Ana.

    "Huevos de oro" is not a film for the faint hearted, or the prude. Bigas Luna gives his audience what is expected of him.

  4. admin says:

    Lots of rather drrunken partying and explicit sexual activity do not disguise the fact that Golden Balls tells a sad story. Bardem, as Benito the young construction worker consumed with ambitions, aspiration, and sexual desire, is very fine. I would give him most of the credit for making this an interesting film, but Bigas Luna, the director, shows great skill in his handling of Benito’s tangled relationships with three women and his slick maneuvering to gain financing for his consuming desire to build the tallest skyscraper in the city. Benito scores success in business and with his women, but in the end meets his downfall, losing money and prestige as his shoddy building practices are exposed. Even worse, it is made clear to him that he is not as good in bed as his gardener, Bob, played by Benicio del Toro in what is little more than a cameo but very convincing.

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